RKD STUDIES

Going South : Artistic Exchange between the Netherlands and Italy in the 17th century

• Foreword
• Introduction

1. Artists from the Low Countries in Italy : A Statistical Approach

• 1.1 Introduction
• 1.2 Going South
• 1.3 The Dataset of 1,604 Artists
• 1.4 Visualisation of Artists from the Low Countries in Italy
• Bibliography

2. Dirck de Vries, a Dutch Painter, and his Family in Venice

• 2.1 Introduction
• 2.2 The Artist and his Family in Venice
• 2.3 The Origins of Dirck de Vries
• Bibliography

3. Jan Miel : from Rome to Turin

• 3.1 From Antwerp to Rome: Miel’s Artistic Training and Early Works
• 3.2 A Matter of Style: Artistic Exchanges in the Roman Milieu
• 3.3 Painting on Copper: an Overlooked Production
• 3.4 Public Commissions
• 3.5 From Rome to Turin: Open Questions
• Bibliography

4. Spanish Patrons of the Utrecht Caravaggisti in Italy

• 4.1 Dirck van Baburen’s Early Career and Commissions
• 4.2 Gerard van Honthorst’s First Work in Italy?
• 4.3 Van Honthorst and the Discalced Carmelites
• 4.4 The Spanish Faction, Giovanni Vasanzio and Van Honthorst
• Bibliography

5. Brussels Artists in Rome: Friendship, Classicism, and the Academy

• 5.1 Brussels Artists among the Fiamminghi
• 5.2 Settling in Rome: Artistic and Professional Networks
• 5.3 Brussels Artists and the Accademia di San Luca
• 5.4 Conclusions
• Bibliography

6. Flemish Painters in Baroque Italy: New Perspectives from the Hinterlands

• 6.1 Flemish Artists in the Hinterland of ‘Status Ecclesiasticus’
• 6.2 Jan van Beyghem : from Mechelen to Ferrara
• 6.3 Jan van Gelder: from Antwerp to Novellara
• 6.4 The Social Network of the Artist: a Key for Archival Research
• Bibliography

7. Dutch Italianate Landscape Painters in Rome around 1650: Primary Sources

• 7.1 ‘Gio Batta Weenix’
• 7.2 Johannes Lingelbach
• 7.3 'henritio zones fl. 60 / Roma, 1647'
• 7.4 'Signor Guglielmo Romano'
• 7.5 Conclusions
• Bibliography

8. The Master of the Roman Songbook

• 8.1 Former Attributions
• 8.2 Technique and Landscape Construction
• 8.3 Visual Sources
• 8.4 The Key is in the Music Book(s)
• 8.5 Conclusions
• Bibliography

9. Scanning Michael Sweerts

• 9.1. Michael Sweerts
• 9.2 The Palette of Michael Sweerts
• 9.3 Dark Halos in Sweerts’ Italian Paintings
• 9.4 Sweerts’ Use of Underdrawing
• 9.5 Conclusion
• Bibliography

10. The Titian from Leiden? On Jan Lievens and Venetian Painting

• 10.1 Lievens and Venetian Art in London
• 10.2 Lievens and Venetian Art in Antwerp
• 10.3 Lievens and Venetian Art in Amsterdam
• 10.4 Venetian Nudes in Five Muses on Mount Parnassus
• 10.5 Conclusion
• Bibliography

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